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17/11/2023

EXETER AND "THE bLOOM"

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Exonian indigeneity is a placekeeping issue because of “voice” and because of relationship to place.  More than this, it is a socio-economic issue because the indigenous view of the City of Exeter is still largely unheard.


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Let me explain.  Exeter is a University city. It is the received wisdom and the social norm that we advise our own talented young people to go elsewhere for their University education, so we send them away and, because of house prices here and the salaries they can earn elsewhere, often they don’t return.  According to the ONS, student numbers nationally have almost doubled since 1992 and are now at a level just short of 2 million – over 40% of 18-24 years go to Uni so we potentially send our own indigenous talent elsewhere in droves.  (How many of these are truly from indigenous households is difficult to know).

In their stead we receive youngsters from other parts of the country, in increasing numbers.  Exeter University’s student population between 2015-2019 increased by 21% from 20,945 to 25,263.  More recent figures far exceed this. By some reports up to 40,000 students now reside in Exeter. If only a small proportion of those incoming students decide to stay we still have a large, educated population living in and around the City of Exeter. A population that shares a set of learned values.  They tend to be liberally-minded and environmentally-sensitive. Most significantly though, they are educated. Their education has rehearsed them in public speaking and in clarifying their thoughts in a way that is recognisable and acceptable to like-minded, educated folk. 

They take up positions in our local authorities, our hospitals, our schools, college and university and in the third sector. They have strong, clear voices that resonate with others who already hold positions of power and influence in City.  So, like an algal mat, the community grows and attracts others of like mind, seeking to form networks and social cohesion with others who share their values.

But like an algal bloom, which is not malignant in itself, the very density of that growth and cohesion can block the light for others.  What of those native Exonians who didn’t leave and haven’t received that skilled rehearsal in making their voice heard?  And if you don’t believe it’s a problem then ask yourself this – how many native Exonians do you know that you would count as a friend or a colleague?  How many of them are actually in service to you in some way – mend your car, fix your house or serve your food?  If this is uncomfortable reading I ask you to sit with that discomfort for a little while before composing a reply.

What’s more, the algal bloom is an impenetrable barrier sitting between the big grant and decision-making bodies and the native population of the City.  That’s a big, big problem when it comes to what many of the well-intentioned people call “engagement” or “outreach”. They’re deeply concerned with how to effectively communicate with those beyond the bloom. There are many initiatives to tackle “health inequality” or “social deprivation”. The bloom do care, so I believe they’d be surprised by the strength of the resentment and frustration that exists locally.
 
We haven’t seen this in Exeter or the UK to the same extent as we witnessed it in Trump’s USA but actually the phenomenon is the same.  America’s working classes, starved of voice and recognition by an overly-voluble liberal bloom, were ripe to be stimulated by Trump’s visceral, emotive appeals. They finally felt seen and heard.  As we saw, the effect was incredibly powerful and left the liberal, middle classes completely in shock.  They had no idea they were blocking the light.  We saw the same utter bewilderment in the wake of the Brexit vote. It is what is increasingly being referred to as the “culture wars”. 

Don’t let that happen here in Exeter.  Time to break up the bloom and let the light through.  We never intentionally created it in the first place.  We can do without.  It is comfortable to be in the company of people who speak the same liberal language but when the impact is to reduce everyone else to the level of lowly “recipient” or “client” it is so, so wrong.  We’ll never have true community animation that way.  We need to be able to ask our indigenous Exonians how they truly feel about their place – and we need to be able to hear their reply – even if it sits outside of our own values.

I and Interwoven don’t have all the answers but we have some very strong views about what has to stop!  …

  1. Stop “engaging” and “outreaching”. It’s entirely the wrong mindset – if you’ve already made up your mind what the vision or question is, you’re clearly NOT LISTENING to theirs.  Find ways to animate and empower their vision for change instead.
  2. Stop segmenting communities into different “deserving” socio-economic groups. Communities aren’t made that way.  You’ve been forced to do it for the funding but find a way to stop.
  3. Stop running “projects”.  Projects are driven top-down with outcomes prescribed by funders.  If you’ve already decided on the outcomes – you’re NOT LISTENING.
  4. Commit – remove the end dates.  Don’t even start working with a community unless you’re committed to do it for as long as they want you.  Stop moving on – just stop it.  Interwoven has found a way through its self-sustaining Squilometres.  It is possible.
 
If you want to know more about Interwoven’s Quiet Voice Methodology training and then get in touch - http://www.interwovenproductions.com/organisationsfunders.html 
 


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5 Comments
Elspeth Penny link
29/11/2023 11:28:46 am

Such a thoughtful and engaging (oops, must stop using that word) piece of writing, and I can't disagree... having been in and around Exeter for 10 years, and now in the arts in and around Bristol. Allowing voices to be heard and listening, (better listening, better still listening), is our aim, but at 2BU Productions, we are always having to keep improving what that actually means, and find enough funding (using the right words of course) to enable that. I do agree that right wing populism will not go away until this happens and the 'liberal' voice needs to listen more to itself and to others to hear what it is inadvertently fertilizing.

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JoJo Spinks
5/12/2023 11:48:37 am

Hi Elspeth - I'm drawing directly from Cormac Russell and ABCD of course when I speak of "engagement". Have you seen this? - https://www.linkedin.com/posts/jojo-spinks-2b9a0736_cormac-russell-plenary-presentation-quality-activity-7095355145927970816-T2oC?utm_source=share&utm_medium=member_desktop

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Alexander Janssen link
4/12/2023 12:39:46 pm

"Stop running “projects”. Projects are driven top-down with outcomes prescribed by funders. If you’ve already decided on the outcomes – you’re NOT LISTENING."

It's a bit like running a science project and designing the experiments to get to the answer you think you already have. Funders do not understand this. I gave up looking for grants years ago after I realised what they meant by 'community engagement" and 'outcomes'.

The arts has snorted a big line of out of date comencial language and seems to be run be people who depend on this language to think.

Asking people what they really want, or helping with community initiatives that naturally occur doesn't seem to fit the funding and grant mindset.

In gardening terms, you can only get money to design plants from scratch or import plants from outside the garden. Novelty, and 'innovative' plants get points, but supporting plants that just need support does not count.

Less paper work indiologues, more practitioners and grass roots support.

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JoJo Spinks
5/12/2023 12:12:19 pm

You're so right Alexander, we had to draw on new and regenerative thinking to find a way to do agenda-less community work. The Squilometre concept is build on circular/gift economy and doesn't rely on big funders at all. We also found of course, that the logical extention of this was not to go in as artists at all. That was a painful adjustment to make. It doesn't mean that we can't offer up creativity for communities to choose from/commission - we just don't go in with that intent anymore.

This Blog shows our journey from socially-engaged artists to where we are now.

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Jonah P link
4/7/2024 07:35:23 am

Hi nice reading your ppost

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    Author

    JoJo Spinks is a Westcountry writer in love with her landscape and her life.  She is a founding member of Interwoven Productions CIC and the creator of the Squilometre tool for sustainable community animation.   JoJo writes here on landscape, art, community and working in the gift, 

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​Interwoven Productions CIC is a Community Interest Company registered in Exeter, Devon, UK
Company Number 11076455

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​Email: [email protected]

Telephone:  +44 7855 935137

  • Home
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  • Bring the Squilometre to my place
    • Be in a Neighbourhood Pod!
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  • Littleham Estate